Announcing the Digital Methods Summer School 2010: Foundations for Online Research with Digital Methods

The Digital Methods Initiative, a collaboration of the New Media & Digital Culture program at the University of Amsterdam and the Govcom.org Foundation, is organizing its 4th annual Summer School for advanced B.A. and M.A. students, PhD candidates as well as designers, artists and programmers working in the area of online media research, broadly conceived. This year’s edition of the annual Summer School is dedicated to “foundations” in digital methods. One set of foundations includes the question of the status of Web data. Often considered messy, dirty and incomplete, under which conditions may Web data be seen as robust? Another set of foundations concerns the idea of the Web as virtual, representational or otherwise having a special, ungrounded status. Can one only study online culture when one’s site of research is the Web? Where does online cultural studies end, and social and cultural research begin? The third set of foundations strives to codify the otherwise tacit knowledge required for online research. On top of formulating research questions, the purpose of foundational research skills sessions is to present strategies for compiling URL lists, building source sets, making issue and key word lists, designing queries and undertaking other core prep tasks, prior to tool use. Further foundational sessions include training in reading and interpreting search engine results and other standard Web device outputs.

Under-explored Spaces by Digital Methods

Special attention will be paid to under-explored spaces and subspaces online. Explored spaces by digital methods include hyperlink networks, IP numbers, archived website collections and previous states of the Web, top-level and second-level domains, search engine returns, social bookmarks and related tags, the spheres, national Webs and filtered content, social networking profiles, wikipedia article edit histories and tweets related by hashtag. Of the under-explored spaces, there are the classic ones, as well as those which may resist current tools and methods. In the former category of course there have been portions of the Web thought to be unreachable by crawlers (the ‘dark web’), another relatively untouched by humans (the crawled-only web), a third not to be captured (the ‘ephemeral web’) and the fourth one that no longer exists, the dead web. (Placing the robots.txt exclusion on a website now flushes the site’s stored history in the Internet archive.) However, the focus in the Summer School is on spaces currently garnering attention for their democratic potential, such as the comment space as well as the overlay or annotated map space, and exploring their potential for social and cultural research.

Digital Methods Training Certificate Program, 28 June – 9 July 2010

The Digital Methods Summer School has a certificate program. It is a two-week intensive training and skill acquisition program which runs, every other weekday, 28 June to 9 July 2010. The certificate program is recommended for those researchers with limited exposure to digital methods to date.

Digital Methods Advanced Projects Program, 9 August – 27 August 2010

The Digital Methods Summer School also has an advanced program. It is a three-week undertaking, meeting physically Mondays and Fridays, with an ongoing commitment, where researchers propose and carry out projects, from research question and query design to methodological operationalization, tool use and visual and written output, including narrative and presentation. Each week has a dedicated theme, and is facilitated by advanced Amsterdam-based Digital Methods researchers. Thematic projects may include explorations of the comment space, real-time results, activity in social media, comparative Web space temporalities (such as static, real-time, periodic and irregularly-paced), as well as the creation of Web collections for the purposes of historical research.

Applications

To apply for the Digital Methods Training Certificate Program, 28 June – 9 July 2010, please send a one-page letter explaining how digital methods training would benefit your current work, and also enclose a CV. Mark your application “DMI Training Certificate Program.”

To apply for the Digital Methods Advanced Projects Program, 9 August – 27 August 2010, please send a one-page letter explaining how digital methods have benefited your work, and also enclose a CV. Mark your application “DMI Summer Advanced Program.”

To apply for both programs, please write a letter explaining your overall affinity with digital methods work, and include your CV. Mark your application “DMI Summer Full Program.”

Selection of participants is based on the fit between candidate interests and available skills and expertise. Selection is also based on commitment to full attendance as well as your work in digital methods. Please be advised that we may contact you for additional information and request a conversation in person, by phone or by Skype (whichever is most suitable).

Please send applications to Esther Weltevrede, Digital Methods Initiative, Media Studies, University of Amsterdam, info {at} digitalmethods.net. Informal queries should be sent to Richard Rogers, University of Amsterdam, rogers {at} uva.nl.

Deadline for applications is 3 May 2010. Responses to be sent on 7 May 2010. Conversations in person, by phone or by Skype will be held on 10 and 11 May. Circulation of finalized participants’ list on 12 May.

Logistics

Participants must arrange their own travel and accommodation. There is no fee for participation in the Summer School. Space is limited.

The Digital Methods Initiative acknowledges the generous support of the Science Faculty, University of Amsterdam, and Platform Beta Techniek, http://www.platformbetatechniek.nl/.

Previous Digital Methods Summer Schools, 2007-2009

The Digital Methods Summer School is in its fourth year. The third Summer School in 2009 treated media attention formats, Wikipedia as space of controversy, repurposing Google for social research and methods for Internet archive research, including “conjuring a past state of the Web.” The second Summer School, which coincided with the 10-year jubilee of the Govcom.org foundation, was dedicated to the turn away from user studies, and also produced the video, commenting on Google’s 10-year anniversary, “Google and the politics of tabs.” The IP Browser, recently shown at Arts Santa Monica in Barcelona, is also a product of the 2008 gatherings. The first Summer School, in 2007, sought to establish the study of natively digital objects, how they are handled by dominant web devices, and whether the “methods in the media” may be repurposed for social and cultural research.

Related project URLs

The Digital Methods Initiative (DMI), Amsterdam, participates in the EU project facilitated by Bruno Latour, Sciences Po, Paris, http://www.mappingcontroversies.net/.

DMI researchers also participate in the ATACD network, the EU project facilitated by Celia Lury, Goldsmiths, London, http://www.atacd.net/.

About

Reworking method for Internet research, the Digital Methods Initiative (DMI) is a collaboration of the New Media & Digital Culture, University of Amsterdam and the Govcom.org Foundation, Amsterdam. Its director is Richard Rogers, Chair, New Media & Digital Culture, University of Amsterdam, and its coordinators are Esther Weltevrede and Sabine Niederer, PhD candidates in Media Studies, University of Amsterdam.

Photos Femke Halsema’s #twist

@FemkeHalsema #twist

Femke Halsema

Last night @FemkeHalsema, leader of GroenLinks parliamentary party, hosted a Twitter party for her followers. Five hundred people attended #twist in Pakhuis de Zwijger. The idea of the party came from Queen Beatrix’ annual speech in which she repeatedly stated that online communication forms are bad for our offline relations, that they lead to weaker social ties and promote anonymous hate activity. In his speech, columnist and blogger Bert Brussen, mocked the Queen for sending a telegraph STOP to our Olympic medal winners STOP

The theme of the evening was ‘A Free Web’ and also marked the launch of the GroenLinks campaign Wanted for downloading against criminalizing downloading. An evening in pictures:

@FemkeHalsema #twist

Femke Halsema

Bert Brussen

Bert Brussen

@ThE_ED #twist

@The_Ed

@Rutger_zelf @tomroes #twist

@Rutger_zelf @tomroes Geenstijl.tv

#twist

@alidestorm @globalistaa

#twist

@lalalalinder

@alper @jaapstronks #twist#twist@LeviBottle en @AlexanderNL #twist#twist

@FemkeHalsema #twist

Femke Halsema

Thank you, Femke Halsema!

All my pictures from #twist on Flickr.

500 people singing and dancing to Numa Numa in the City Theatre of Amsterdam

De Canon van YouTube

The YouTube Canon, organized by Upload Cinema

Last night the Canon of YouTube was presented at the Stadsschouwburg in Amsterdam. Barbara de Wijn and Dagan Cohen (founders of Upload Cinema) asked 25 internet experts (including yours truly) to send in their top 10 YouTube videos. An important selection criterium was that the videos had to be internet native; the videos have to be born on the web or made especially for the web (so no Susan Boyle performing on Idols). This meant that the number 1 video of my personal top 10 was not included in the Canon.

The crowd at the City Theatre seemed to be different from the people attending the regular Upload Cinema events in the Uitkijk. They looked more like the City Theatre regulars but seemed to have a great time. There was a lot of giggling, laughing and even applauding for some movies. However, there were also people expressing a more critical note. I overheard two woman stating that it was one big fake, happy and shiny YouTube show. They missed the presentation of YouTube as a platform for protest. Of course, this is an important part of YouTube. Movies shot with mobile phones in Iran during the Iran Revolution were quickly spread and picked up by regular news outlets. The movie of Neda dying on the streets may be part of the next edition of Upload Cinema ‘Saved by YouTube’:

Activism on Internet is the theme of our March edition. We’ll be showing how people use the power of video and the Internet to make a statement, and even more importantly: set change in motion.

De Canon van YouTube

Sold out City Theatre Amsterdam

The two-hour program ended with a surprise: the recording of a video of everyone singing along to the famous Numa Numa song. The lyrics were projected on the screen and 500 people ended up singing and dancing as can be seen in the following video I made on stage. Sorry for the shaky camera, I was also dancing and singing ;)

YouTube Canon, Internet as Stage: Celebrating five years of YouTube

Youtube is near celebrating its fifth anniversary1 In it’s early days YouTube looked rather plain but a few months later, in June 2005, “Your Digital Video Repository” added the famous Upload Your Videos link.

In celebration of five years of YouTube videos, Dragan Cohen from Upload Cinema, asked tens of new media specialists to send in their all-time top 10 YouTube videos. The ultimate YouTube list of about 30 videos, the YouTube Canon, will be aired in the Stadsschouwburg Amsterdam on the 22nd of February 2010. Please join us!

YouTube celebrates its 5th anniversary. That’s why Upload Cinema presents ‘Internet as stage’, a special compilation of real Internet classics. Video’s that can be considered as landmarks in the history of online film. Based on the input of some of the most important bloggers, web editors and internet professionals in The Netherlands. The show takes place on February 22 at 20.00 o’clock in the Stadsschouwburg Amsterdam. Tickets are only available via the site of the Stadsschouwburg. (Upload Cinema)

My submitted YouTube top 10:

#1 RickRoll’D

The movie of all YouTube movies!

#2 Here Comes Another Bubble v1.1

Web 2.0 as the New Internet Bubble.

#3 Dramatic Look

Tatataaaaaaaaaaaaaaa! <insert dramatic look>

#4 LEAVE BRITNEY ALONE!

Fanculture at its best.

#5 Numa Numa

Just doing his thing behind his webcam. For the whole world.

#6 Bert & Ernie tries Gangsta-Rap


YouTube is an important plaform for remixculture.

#7 The Sneezing Baby Panda


OMG! The Cuteness! ROFL!

#8 David After Dentist


Cute kid being drugged out after dentist visit filmed by his dad with his Flipcam, made possible by the introduction of small, easy, handheld cameras.

#9 大きな箱とねこ。(Big Box and Maru)


A YouTube top 10 without a cat movie cannot exist. Nora the Piano and Ninja Cat were also contenders to be in my top 10 but the Japanese Maru who’s obsessed with boxes won this spot.

#10 “Chocolate Rain” Original Song


YouTube is seen as an important platform for amateur musicians to become famous. This guy definitely became famous.

UPDATE: De Wereld Draait Door interviewed Alexander Klopping and Dragan Cohen about YouTube fifth anniversary (in Dutch):

  1. The domain was registered on Feb 15:
    WHOIS information for youtube.com :
    Domain ID:
    Domain Name: youtube.com

    Created On: 15-Feb-2005 00:00:00[]

Photos and video Twittershizzle

De eerste Twittershizzle zit er op. De abject-elitaire avond met honderden twitteraars, muziek, voordrachten en een veiling voor het goede doel werd een groot succes dankzij Bert Brussen, Bas Paternotte, Levi Boitelle en Gyurka Jansen. Een sfeerverslag in foto’s:

Twittershizzle

Organisator en bekende Paintcartoonis @baspaternotte

Twittershizzle

Organisator en initiatiefnemer @bertbrussen

Twittershizzle

Twitterfans van Dries Roelvink

Twittershizzle

Jan Dijkgraaf (HP/De Tijd) en Dries Roelvink

Twittershizzle

Plunk @danibalhentonel

Twittershizzle

@AmoorahNL interviewt @jandijkgraaf van HP/De Tijd

Twittershizzle

Geveilde Paintcartoon door @baspaternotte voor het goede doel

Twittershizzle

@JacoKoster wordt geinterviewd door @OnlineMarketeer

TwittershizzleTwittershizzleTwittershizzleTwittershizzle

Geen Twittershizzle compleet zonder de aanwezigheid van heel veel camera’s.

TwittershizzleTwittershizzleTwittershizzleTwittershizzle

Follow the Money: Christian Nold on “Bijlmer Euro”

Christian Nold reprogrammed RFID tags taken from discarded OV- chip cards to get discounts in local stores in the Bijlmer. The reprogrammed tags are placed on top of regular bills. Each shop in the Bijlmer has a RFID-reader to scan the note. In this way you can follow where the money has gone in order to discover the local network of this place: a visualized network of the small shops in the Bijlmer.

Follow the Money

Bijlmer Euro transactions

It is a network identity currency: The Bijlmer is a both a network internally (comunities) and externally (countries of origin). The aim is to visualize the bijlmer as both an economic and social network. It not only displays the rather abstract transactions when dealing with money but also the tangible relationships. The local value is emphasized as its worth more than a “regular” Euro because of the discount in the local stores. Nold’s ultimate wish is to replace Western Union with this project which starts in April. More info: bijlmereuro.net

Follow the Money

Christian Nold