Reviews of Eric's trip and their side projects records ERIC'S TRIP "warm girl" 7" (DERIVATIVE/CARGO) The latest Eric's Trip single is acually five songs recorded on a four-track in 1991-1992. Though the material is older, the variance of styles is similar to the band's recent work. The title track features a "half wall" of fuzzy guitars and disjointed harmanies while the other tracks remind one of the laid-back acoustic style of Sebadoh. written by: Chris Burland from: CHART magazine june 1994 Vol. 4 / issue 12 ERIC'S TRIP "the gordon street haunting" (SUB POP/DENON) Wheras some bands might be at a disadvantage if their developmental stages were highly scruitinized, Eric's Trip seem to be thriving on it. Not ones to keep their creations to themselves, the band has continued to make available numerous recordings that chronicle the band's progression. On their latest release, The Gordon Street Haunting EP, the band continue to expand on their spaced-out lo-fi tomfoolery with ever-expanding success. The new EP is a Candian-only release, which might be because of it's somewhat experimental nature and slight departure from the world of fuzzed-out rock. Experimental for Eric's Trip might encompass weird noises, but it does not preclude accessibility. In fact, the stranger, quieter Eric's Trip songs have been their catchiest, with the bare melody exposed for all to feel with all the emotion intact. Gordon Street ofers up three fragile and sombre pop songs("Lightly Feeling," "Never Grow" and "Departure Song") snadwich in between two tracks of fuzzed-out, agressive variety that band is best known for. The success of bassist Julie Dorion's lead vocals on "Lightly Feeling" will hopefully lead to more tracks of this ilk and perhaps Eric's Trip will continue the path of minimalist raw pop so successfully expressed here. writen by: Ian Danzug from: EXCLAIM magazine july 1994 BROKEN GIRL "nora" 7" (SAPPY RECORDS, p.o. box 25097, Moncton, NB, E1C 9M9) Nora, is the latest release by Broken Gril the Eric's Trip bassist's solo project. Side A's "the book song" and "his girlfriend" are more heart-fealt, sculpted, emotionally packed, lo-fi gems. While side B's "dance music" is the weakest link of this song cycle, it is notable in that it pushes. The envelope of Broken Girl sound. More produced, with a great number of instruments, "dance music"points out a new direction of Broken Girl, who should have a full-length album released sometime early fall. writen by: Christopher Waters from: EXCLAIM magazine june 1995 MOON SOCKET (SUB POP, po box 20645, Seattle, WA 98102) MOON SOCKET (RATFISH, po box 381869, Cambridge, MA 02238) Taking Allen Ginsberg's "first thought best thought" dictum and filtering it through close study of Lou Barlow's solo recordings, Chris Thompson's Moon Socket project continues to produce and develop. The Eric's Trip guitarist is slowly becoming more confident in his singing and subject matter. The material on these two singles features everything from the western blues of "Somebody Else's Love," to the harsh rock of " Always Lose," and a lot of Sentridoh-styled folk ballads and random bursts of noise. It's all very warm and personal, which makes up for the sameness that permeates this project. I especially like "Truth Becomes Lies" from the Sub Pop single and "Feeling Around," Thompson's song from Eric's Trip Forever Again, which appears on the Ratfish single as a solo demo version. written by: Christopher Waters from: EXCLAIM magazine October 1995 ELEVATOR TO HELL (SUB POP, po box 20645, Seattle, WA 98102) self titled LP on 12" only Only 1000 copies made, of the Moncton, NB's prodigal Rick White's latest effort is spooky and quirky, this album is just neat. The first track, "Roger and the Hair" could make a great sound track to a Scooby Doo episode. A bit reminiscent of Rick's other pursuit - Eric's Trip and that ain't such a bad thing. The addition of keyboards on some tracks adds a really haunting element. Lots of personal stuff in the lyrics, you know the kind you need a map to follow, but that's OK if it brings out brilliant songs. written by: Mark from Tristan Psionic from: THE STINK, MAGAZINEfrom the lable SONIC UNYON issue No. 5 MOON SOCKET (MOON SOCKET 42 Madison Ave, Moncton NB, E1E 1R6) Taking a break from his Eric's Trip, bandmates, Chris Thompson recorded a collection of original material and two well chosen covers for his cassette release. Moon Socket may not be a departure from Eric's Trip low-fi sound, but it does showcase Thompson's strong songwriting and solo performance skills. Original songs, "Stupid Shyness" and "Seems Useless", are simply wonderful, and his covers of Lou Barlow's "Barbed Wire" and Sloan's "Laying Blame" surprise and delight. The strength of this material makes Thompson's forhtcoming 7" single release on bandmate Julie Dorion's Sappy label something to look forward to. written by:Christopher Waters from:CHART MAGAZINE January 1994 / vol. 4 / issue 7. MOON SOCKET (DERIVATIVE po box 42031, Montreal PQ H2W 1T3) The lo-fi revolution can be a frightening prospect for both record company schumucks and media weasels, since everyone and their brother can create pop music. Buy a guitar, rent a four-track recorder, some tape and voila: great music. Not so fast! There's one important ingredient required to create memorable pop music: Too often, I have attended live shows by bands creating semblance of required pop touch. It's sometimes that's innate, not taught and Chris Thompson is one of those gifted writers born with the ability to string a series of sounds together into a cohesive, hummable whole. Hidden away from prying eyes, alone except for a guitar and some tape effects, this Eric's Trip guitarist creates a soundtrack of the '90's with these 20 songs. At times there are periods of quiet dispair, followed by times of joyous reflection. Songs about complexities of relationships like "Sleep Tonight" and "Triangles" are only steps away from Eric's Trip material, but Moonsocket, Thompson provides a more revealing glimpse into his contributions to the group. But there's more. This is not just some document of individual eccentricity that will appeal only to Trip purists. The self-titled CD features a number of memorable moments that would appeal to any music enthusiast (lo-fi or not). Some would say that the strength of music is its obvious structure, Moonsocket can survive the scrutiny of being stripped down to its most basic level, digitally recorded for all to hear on this disc. written by:Chris Burland from: CART MAGAZINE April 1996 / vol. 6 / issue 10 ELEVATOR TO HELL FORWARD TO SNOW 7" (SAPPY, po box 25097, Moncton, NB, E1C 9M9) Eric's Trip's Rick White debuts his solo project, Elevator To Hell, with this four-song single, which, we are informed, was recorded live during a beautiful snowstorm in February of this year. Gathering assistance from Eric's Trip drummer Mark Gaudaet and friends Tara and Ron Bates, White continues cataloguing his own thoughts and musical experiments with Casio organs and other electronic tinkering has really been a shot in the arm, as there's a new creative rush that sweeps through his music. "Double Pleading" and "Forward To Snow" are great additions to White's ever-increasing songbook. written by:Christopher Waters from: EXCLAIM MAGAZINE July 1995 |